14 August 2026
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Marina Tabassum wins her second Aga Khan Award for Architecture with Khudi Bari

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Banglapress Published: 23 September 2025, 10:26 AM
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Marina Tabassum wins her second Aga Khan Award for Architecture with Khudi Bari
  Bangla Press Desk: The independent Master Jury of the 16th Award Cycle (2023-2025) of the Aga Khan Award for Architecture has selected seven winners, including Bangladesh's Khudi Bari by Marina Tabassum Architects, following on-site reviews of the shortlisted projects announced in June. The recipients explore architecture’s capacity to catalyze pluralism, community resilience, social transformation, cultural dialogue and climate-responsive design. They will share the $1 million award, one of the largest in architecture. Khudi Bari, in various locations, by Marina Tabassum Architects, is a replicable solution built with bamboo and steel for displaced communities affected by climatic and geographic changes.
The Jury recognised the project’s deep ecological framing, contributing to the global advancement of bamboo as a material. Marina Tabassum Architects (MTA) is an internationally recognized, leading architecture practice based in Dhaka, Bangladesh. The firm was founded by Marina Tabassum in 2005 after her ten-year partnership in URBANA, established in 1995 This 16th cycle’s prize-giving ceremony will be held at the Toktogul Satylganov Kyrgyz National Philharmonic in Bishkek, Kyrgyz Republic on September 15.
The Award will not only reward architects, but also municipalities, builders, clients, master artisans and engineers who have played important roles in the projects. Other Recipients of the 2025 Aga Khan Award for Architecture are: China: West Wusutu Village Community Centre, in Hohhot, by Inner Mongolian Grand Architecture Design Co., Ltd – a centre built from reclaimed bricks that provides social and cultural spaces for residents and artists, while addressing the cultural needs of the local multi-ethnic community, including Hui Muslims. The Jury noted that the project generates a valuable shared and inclusive communal microcosm within a rural human macrocosm. Egypt: Revitalisation of Historic Esna, by Takween Integrated Community Development – a project that addresses cultural tourism challenges through physical interventions, socioeconomic initiatives and innovative urban strategies, transforming a neglected site into a prospering historic city. The Jury acknowledged the ways the project is stimulating a historic urban metabolism to cope with the contemporary challenge of improving human conditions.
Iran: Majara Residence and Community Redevelopment, in Hormuz Island, by ZAV Architects – a colourful complex whose domes reflect the rainbow island's ochre-rich soils, providing sustainable accommodations for tourists who visit the unique landscape of Hormuz Island. The Jury described the project as a vibrant archipelago of varying programmes that serve to incrementally build an alternative tourism economy. Jahad Metro Plaza, in Tehran, by KA Architecture Studio – a once dilapidated station transformed into a vibrant urban node for pedestrians. The Jury highlighted the use of local handmade brick as strengthening the connection with Iran’s rich architectural heritage, while its warm subtle texture emphasises the station’s status as a new urban monument. Pakistan: Vision Pakistan, in Islamabad, by DB Studios – a multistorey facility boasting joyful facades inspired by Pakistani and Arab craft, while housing a charity that aims to empower disadvantaged youth through vocational training. The Jury noted that the building not only contains a new type of education, but is full of light, spatially interesting and economically efficient. Palestine: Wonder Cabinet, in Bethlehem, by AAU Anastas – a multipurpose, non-profit exhibition and production space built with the input of local artisans and contractors, to become a key hub for craft, design, innovation and learning. The Jury found that the building provides a model for an architecture of connection, rooted in contemporary expressions of national identity, and asserts the importance of cultural production as a means of resistance. “Inspiring younger generations to build with environmental care, knowledge and empathy is among the greatest aims of this Award. Architecture today must engage with the climate crisis, enhance education and nourish our shared humanity. Through it, we plant seeds of optimism – quiet acts of resilience that grow into spaces of belonging, where the future may thrive in dignity and hope," said Prince Rahim Aga Khan V, AKAA Steering Committee Chair.
The Aga Khan Award for Architecture was established in 1977 by His late Highness Prince Karim Aga Khan IV, to identify and encourage building concepts that successfully address the needs and aspirations of communities in which Muslims have a significant presence. The Award’s selection process emphasises architecture that not only provides for people’s physical, social and economic needs, but that also stimulates and responds to their cultural aspirations. In the past 16 triennial cycles of the Award, 136 projects have been awarded and nearly 10,000 building projects documented. “Architecture can – and must – be a catalyst for hope, shaping not only the spaces we inhabit but the futures we imagine. In an age defined by climate crisis, resource inequality and rapid urbanisation, the Aga Khan Award for Architecture celebrates projects that unite society, sustainability and pluralism to empower a more harmonious and resilient world,” said Farrokh Derakhshani, Director of the Aga Khan Award for Architecture. This article was originally published on Daily Sun. [Bangla Press is a global platform for free thought. It provides impartial news, analysis, and commentary for independent-minded individuals. Our goal is to bring about positive change, which is more important today than ever before.]
BP/ZE
[Bangla Press is a global platform for free thought. It provides impartial news, analysis, and commentary for independent-minded individuals. Our goal is to bring about positive change, which is more important today than ever before.]

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